Mohamed Samara (1954) attempted to use a label-related tech with a chromatic overlap to restore concrete effects, blocks, and embodiment of the shape. The artist believes that shadows trigger the imagination, and that the texture of the painting is an important element that can give it the desired impact. The artist translates topics that are mostly purposeful and express the worries of Palestinians and their homelands, in order to present a peaceful expression that depicts a real picture of their problems.